Australia Accommodation

Wednesday, February 8, 2012

Lady Gaga to Tour Australia this June-July

Lady Gaga is promising Australian fans fireworks when she returns for six shows as part of her Born This Way world tour.

The pop megastar will play arena dates in Brisbane, Sydney, Melbourne and Perth in June and July with the singer hinting at adding dates.

'The Haus of Gaga and I have worked for months conceiving a spectacular stage,' Gaga said in a statement.

'The Born This Way Ball is an electro-metal pop-opera; the tale of the beginning, the genesis of the kingdom of Fame.

'How we were birthed and how we will die celebrating.'

The eccentric singer has been teasing fans on Twitter and Facebook with sketches of her stage design and posted a picture of the first official tour poster.

Coloured in a black and white palette with purple and green highlights, it shows the star's alien alter ego appearing in the cloudy night sky over a castle.

Renowned for her quirky art, Gaga brought her lavish stage show to Sydney last July for her one-off Monster Hall performance.

Promising fans she would be back, Australians will be among the first to see the world tour after dates in Asia and New Zealand.

Tickets go on sale on February 17 at livenation.com.au with advance tickets available to Visa card holders from 9am Monday morning.

June 13 - Brisbane, Brisbane Entertainment Centre

Lady Gaga to Tour Australia this June-July

Tuesday, February 7, 2012

Brisbane's Skyline to Light Up Again in 2012 and 2013

Brisbane's skyline will light up in a kaleidoscope of colour for the next two years with the Queensland Government announcing today continued support for Brisbane Festival's Santos City of Lights laser light show.

Queensland Premier Anna Bligh said the choreographed light spectacular would be an opportunity for local families and visitors alike to get out and enjoy for free what has quickly become a centrepiece of Brisbane Festival

"After the fantastic performance for the inaugural show in 2011, I can today announce that Santos City of Lights will continue to feature as a major attraction on the Brisbane Festival calendar in the coming years," Ms Bligh said.

"Santos City of Lights is a great way to celebrate the city of Brisbane, our great lifestyle and all it has to offer.

"More than 185,000 people attended the 2011 event, reinforcing Brisbane's popularity as an arts and cultural hub.

"Attracting major events like Santos City of Lights is all part of our plan to continue building Queensland's bright future.

"In 2011, Santos City of Lights generated 5,600 visitor nights - which is great for the Queensland tourism industry, local businesses and jobs.

"That's why the Queensland Government, through Events Queensland, is investing in events like this as part of our record $174 million investment in events over four years."

Events Queensland CEO John O'Sullivan said Santos City of Lights was another highlight on Queensland's growing and dynamic event calendar.

"Securing Santos City of Lights for Brisbane Festival for a further two years is the latest addition to the calendar and further demonstrates Brisbane's ability to host major cultural events," Mr O'Sullivan said.

"Brisbane will also play host to a range of significant upcoming arts and cultural events including exclusives like QPAC International Performance Series, Mummy: Secrets of the Tomb, Portrait of Spain: Masterpieces from the Prado and the current Matisse:Drawing Life.

"This follows the successes of other events in 2011 like Surrealism: The Poetry of Dreams and the World Theatre Festival."

Brisbane Festival Artistic Director Noel Staunton said he was delighted Santos City of Lights would be a part of future festivals, and the ongoing support from Events Queensland and Santos is fantastic news for Brisbane and Queensland.

"Brisbane Festival was extremely proud to pioneer Santos City of Lights this year which was enjoyed by hundreds of thousands of spectators during the three weeks of the festival, and we look forward to creating another spectacular show in 2012," Mr Staunton said.

Mark Macfarlane, President Santos GLNG announced Santos' continued major sponsorship with the Brisbane Festival for 2012.

"Santos is pleased to announce the continuation of our major partnership with the Brisbane Festival to ensure that the Santos City of Lights show remains a feature of the 2012 Brisbane Festival", Mr Macfarlane said.

Dates for Brisbane Festival 2012 and Santos City of Lights will be announced early 2012.

Source: eventsqld.com.au

Jewellers Optimistic as 2012 Fairs Approach

Anticipation is growing for the jewellery industry as the 2012 trade fair season approaches.

The ‘jewellery trade fair season’ begins next month with Victoria hosting the Melbourne Jewellery Fair March 4-5 at the Royal Exhibition Building in Carlton Gardens, while the Brisbane Jewellery Fair takes place March 25-26 at the Brisbane Exhibition Centre in Southbank.

For the second consecutive year Australia will stage three jewellery fairs, with Sydney hosting the main event in September.

Director for wholesaler Ellani Collections, Paul Hicks, told Jeweller last year’s Melbourne fair was well supported and set in a positive atmosphere.

“I expect Melbourne to be even better for me this year,” Hicks said. “After a great Sydney fair and Christmas I’ve acquired a lot of new accounts and Melbourne has left me constantly busy.”

Hicks stressed the importance of having a third fair, saying it’s a great opportunity for retailers around the country to build relationships with suppliers and vice-versa.

“Australia and New Zealand is so spread out that it’s almost impossible to see everyone so the Melbourne and Brisbane fairs are great for everyone to come together,” Hicks added. “Retailing can be a tough gig at the moment so for them to see the wholesalers and form a view of where their business should head is beneficial.”

Duraflex Group director, Phil Edwards, said Thomas Sabo and Spinning Jewelry are launching new ranges at the Melbourne and Brisbane fairs.

“We’re using both fairs to launch two different products and hope to attain good feedback and high attendance rates,” Edwards told Jeweller. “We will have representatives from Thomas Sabo visiting Melbourne and overseas reps will be coming to Brisbane as well.”

Edwards intends to use both fairs as a solid testing ground for future years, with the supplier paying close attention to attendance and retailers’ feedback.

Royal Exhibition Centre in Melbourne's Carlton Gardens
Royal Exhibition Centre in Melbourne's Carlton Gardens

“It’s unusual having two fairs so close together but this year’s fairs will be a testing ground for our new range of products,” Edwards said. “It will be a good chance to monitor retailers’ feedback and keep track of attendance levels.”

Registration

Fair organiser, Expertise Events advises that visitors to the 2011 fairs will have received a new Buyer Identification card making registration simple. Visitors with a blue photo card need only to mark the dates and present the card upon entry to the Melbourne and/or Brisbane fairs for immediate access.

Visitors still holding a past gold buyer card will be required to update their registration and new visitors or those updating their record can download a registration form from the Jewellery Fair website.

Expertise Events managing director, Gary Fitz-Roy said, “With three fairs along Australia’s east coast, the JAA Jewellery Fairs are an ideal chance for jewellery retailers to top-up their stocks and get in-tune with the latest trends after Christmas.”

Both the Melbourne and Brisbane trade fairs will each present over 90 exhibitors offering finished jewellery, retail services, watches and jeweller’s supplies.

Jewellers Optimistic as 2012 Fairs Approach

Monday, February 6, 2012

Evanescence to Make a Long Overdue Return to Australia.

Evanescence are finally set to make a long overdue return to Australia.

Evanescence, renowned for their classically influenced haunting, hammering hard rock sound, beautifully lead by Amy Lee's wrenching vocals ranging from delicate to dramatic, primal to passionate. Piano-led broodings swell at pace upon intricate, hammering guitars, creating stunning hard-driving tunes.

Their unique sound has lead to combined album sales nearing 25 million worldwide. Australian sales alone exceed 600,000.

Global success arrived for Evanescence with the delivery of their 2003 debut album 'Fallen', featuring the epic #1 single 'Bring Me To Life' and universal hit 'My Immortal'. The album earned the band two prestigious Grammy Awards and cultivated international acclaim.

'The Open Door' was the second instalment from Evanescence. Housing massive hit singles 'Call Me When You're Sober' and 'Lithium', the hugely successful album hitting #1 on the ARIA album chart.

In 2010 Evanescence returned to the studio, resulting in the October 2011 release of their eponymous, long awaited third studio album (through Wind Up/EMI). Spearheaded by the single 'What You Want', the album hit #1 in the US Billboard charts and debuted at the top of charts around the world.

"This record is so geared for live shows," Lee said. "We were thinking about playing live the whole time we were writing it."
"I can't describe how great it feels to have their [the fans] support. I love so much meeting them before and after the show. If feels like they're growing with us," Lee continued. "We're so happy to be back."

TOUR DATES*:

Fri 23 Mar - Royal Theatre, Canberra
Sat 24 Mar - Rod Laver Arena, Melbourne
Mon 26 Mar - Brisbane Convention Centre
Wed 28 Mar - Newcastle Entertainment Centre
*Ticketek is selling for the above venues only.

Evanescence to Make a Long Overdue Return to Australia.

Cirque du Soleil - 2012 Shows Australia

Cirque du Soleil returns to Australia with a spectacular new production for the whole family, presented under the blue-and-yellow Grand Chapiteau (Big Top).

OVO is a headlong rush into a colourful eco-system teeming with life, where insects work, eat, crawl, flutter, play, fight and look for love in a non-stop riot of energy and movement. The insects' home is a world of biodiversity and beauty filled with noisy action and moments of quiet emotion.

When a mysterious egg appears in their midst, the insects are awestruck and intensely curious about this iconic object that represents the enigma and cycles of their lives.

It's love at first sight when a gawky, quirky insect arrives in this bustling community and a fabulous ladybug catches his eye - and the feeling is mutual.

The cast of OVO is comprised of 54 performing artists from 16 countries specializing in many acrobatic acts. One highlight of OVO is the stunning flying trapeze act, in which six flyers soar 40 feet in the air, making this the biggest act of its kind to ever be presented under a big top by Cirque du Soleil. It combines many circus disciplines, including banquine, Russian swing and swinging chair. The finale features 20 artists running, jumping and leaping up a 24-foot vertical wall.

OVO is overflowing with contrasts. The hidden, secret world at our feet is revealed as tender and torrid, noisy and quiet, peaceful and chaotic. And as the sun rises on a bright new day, the vibrant cycle of insect life begins anew.
br> OVO is written and directed by Deborah Colker.

TOUR DATES & CITIES

Brisbane - Opens July 14, 2012
Sydney - Opens September 13, 2012
Adelaide - Opens December 6, 2012
Melbourne - Opens January 17, 2013
Perth - Opens April 14, 2013

"Overhead and on-the-ground, OVO is a whimsical infestation. It captivates as a vibrant, magical spectacle."
Chicago Now

"Cirque du Soleil turns bug's world upside-down in spectacular OVO."
Chicago Sun-Times

"Cirque du Soleil 'OVO' delivers the unbelievable. "
Cincinnati Enquirer

“Cirque hatches visual stunner."
Houston Chronicle

“OVO is an astonishing showcase of superhuman feats of strength, balance and contortion."
Houston Press

Cirque du Soleil - 2012 Shows Australia

New Kids on the Block & Backstreet Boys Shows Australia at Melbourne, Sydney and Perth, Brisbane and More

With the continued and insatiable fan demand, the unstoppable phenomenon that is NKOTBSB will officially bring their show down under! In May, New Kids on the Block and Backstreet Boys will come to Australia for five shows only, stopping in Melbourne, Adelaide, Brisbane, Sydney and Perth.

"If our fans want us down under, we'll go down under," said New Kids' Donnie Wahlberg. "Our international fans have been flying to see us stateside for years, so now we are bringing the show to them. Get ready Australia, we are coming to you!"

The Australian leg will bring the historic NKOTBSB tour for a limited four show run, giving fans across the globe chances to catch their favorite groups on one stage.

NKOTBSB first shocked and delighted fans when they took the stage together for a medley at the sold out NKOTB Radio City Music Hall show. The two groups wowed audiences again in their first joint televised performance at the American Music Awards almost a year ago in November 2010 and have toured consistently through 2011 since coming together.

With over 200 million albums sold between both bands, and smash hit after smash hit, these two pop sensations have dominated the music scene for over three decades. Aiming to please, these guys are giving concert goers and diehard fans everywhere the ultimate "night out" experience.

TOUR DATES*:
Fri 18 & Sat 19 May - Rod Laver Arena, Melbourne
Mon 21 May - Adelaide Entertainment Centre
Wed 23 May - Brisbane Entertainment Centre
Sat 26 May - Allphones Arena, Sydney
Tue 29 May - Burswood Dome, Perth
*Ticketek is selling for the above venues only.

New Kids on the Block & Backstreet Boys Shows Australia at Melbourne, Sydney and Perth, Brisbane and More

Sunday, February 5, 2012

Brisbane's Queen Street Mall Loses its Focus as People-Friendly Precinct


AT WHAT point does a pedestrian mall cease to be a mall and become a drinking and dining precinct through which pedestrians are funnelled, forced to negotiate its canyons as best they can?

It is a question that needs an answer, for Brisbane's Queen Street Mall is no longer the people-friendly place envisioned by its creators.

The last car drove down Queen St in 1981 and the mall was opened the following year, in time for the Commonwealth Games, initially bound by Edward and Albert streets.

I waited patiently for trams in Queen St as a youth, standing in the optimistically named Safety Zones in the middle of the road.

The Mt Gravatt tram would then trundle across the Victoria Bridge and turn left, my nostrils wrinkling as it passed The Fish Board, before carrying me on to my stop at Holland Park.

Queen St had been a thoroughfare since the colony's earliest days and its closure to vehicular traffic and transformation into a mall - denounced by critics as trendy town-planning madness that would cause traffic chaos - has been a spectacular success.

Along the way, however, its character has changed and it is time that the city reviewed how it looks and how it works.

Restaurants have gradually encroached on the thoroughfare.

Competing for space and attention with the restaurants are two newsagencies, a juice bar, a large visitors' centre and a stage from which lingerie models were banned mid-parade last week when their French knickers were deemed inappropriate by Brisbane Marketing.

The eateries are as much - or more - about drinking as eating, with roughly half their floor space taken up with tall drinking stands and red vinyl bar stools.

At least one adds flat-screen television sets to the mix.

"Catch all your live sport here in HD - open 24 hours a day, 7 days a week," proclaim the signs.

You might well ask if the mood and atmosphere of our subtropical capital is effectively captured by a bunch of beer drinkers sitting around in shorts and singlets watching some games of English soccer on television.

There is a tired sameness about the food and beverage venues, with their plastic-sheafed tourist menus.

The image is completely at odds with the critically acclaimed restaurants in the Eagle St precinct, which represent, in part, the true dining heart of the city.

Put simply, some of the restaurants do not present well. They possess neither chic nor style.

They are public bars serving pub food in the middle of the city's premier shopping zone.

I'll be accused of being elitist for saying so, but so be it.

I've been accused of worse crimes.

Simply, it is possible to project a casual ambience and still be inclusive and I refuse to concede that mediocrity is a virtue.

These venues need to undergo a complete refurbishment for, as they stand, they do the city a disservice.

Apart from their lack of aesthetic appeal, there are too many of them.

The juice bar should be relocated away from the mall.

When I visited last week, the cardboard boxes of carrots and oranges stacked beside it did nothing for the visual appeal of the mall.

Aesthetics aside, they intrude too much into the mall and impede pedestrian traffic.

Walk up from Edward St and the sprawl of the eateries forces you into a narrow channel where you battle against the opposing tide of humanity to make headway.

The Brisbane City Council has allowed these establishments to take over the mall and must make a considerable amount of money from the rent it charges them.

The concept behind the mall, however, was for it to be an amenity for citizens and visitors, a free-flowing oasis in the city heart, not a revenue stream for the Brisbane City Council.

In April, the $100 million renovation of the Wintergarden Centre opens.

This is as good a catalyst as any for a hard look at the mall and how it presents to the 26 million people who visit the precinct each year.

The Wintergarden project's development director, Chris McCluskey, voices the concerns of a number of tenants whose businesses line the mall and the owners of international brands who have spent significantly on shop fit-outs in the new centre.

"The landlords and the investors are doing these things and the city needs to do a bit of it by looking at how the mall is formed now," McCluskey says.

"Universally, the comment I get is that there is not enough space for people to walk around.

"There's too much clutter. Some of it is necessary and you need food and beverage outlets and a visitor information centre but is it composed the right way?

"Is what we offer appropriate for 2012 and beyond? They are the questions that are being asked."

Walking up the mall towards the Victoria Bridge, you come across a bare expanse of sun-baked stone outside the casino, a lesser version of the man-made Death Valley that is the City Square.

Beyond that lies South Bank, shimmering across the river like a mirage. How to get there? Trudge across the bridge in 100 per cent humidity with not a suggestion of shade to be found.

The mall, surely, should flow into South Bank and be linked to it by, at the very least, a covered walkway.

The city is changing. The mall needs to change with it.

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